Tuesday 23 March 2010

Semiotics Task

Write a semiotic analysis comparing 2 similar images (or texts to use the correct semiotic terminology) of your choosing, ideally a piece of graphic design. The analysis only has to be about 250-500 words but you must attempt to use key semiotic language such as denote, connote, signify etc.

The image above is an advert for Mercedes-Benz from 1997, at first glance the image appears to be the typical Marilyn Monroe pin up we commonly see so it is strange to think why this image would be used to sell a car? If we look at the bottom right of the image we see the word 'Glamour' it is only small yet together with the image of Monroe it connotes the ideology of Mercedes being a sign of glamour, wealth and seduction. It makes the viewer feel that they are buying into a ... of a select few. As we look closer at the portrait we can see a vital signifier, Monroe's beauty spot has been transformed into the Mercedes corporate logo this signifying that Mercedes is a sign of beauty, perfection and again glamour but also it connotes that Mercedes own her by putting their trademark on her.
Another key signifier of this ad is the colour and layout, the use of red tones and highly saturated colour means that the image stands out and signifies the idea of Mercedes being absorbed by wealth and glamour and that you will stand out to other people if you buy a Mercedes. The main colour being red, white and black which connect to the idea of Monroe's appearence with her famous red lips and white dress she has become so well known for.
It is very interesting that they have used such bold symobolic pieces and a cultural icon within this advert, the symbols are so well known that there is no other way that people could mis-read the ad.


The second image is a car advert for Volvo, it is plain and simple but conveys such a strong message. The first signifier is the safety pin bent into the shape of a car, this signifies the cars safety and is so easy to extract the meaning from as they have used a familiar everyday object which would be understood universally. Another signifier is the simplicity of the ad and lack of colour, it connotes that Volvo doesn't need an expensive advert and symbolic images of glamour to sell its cars it stays true to itself and what the company is known for.. its honesty and safety to its customers. This is also signified by the line 'a car you can believe in', the viewer feel they can trust Volvo and they are assured that they value their customers to put safety as the top seller.
I think the idea is quirky and eye catching, by keeping it simple it conveys what Volvo is known for and the reason why people will buy a Volvo.


We can see that this is far from the bold and glamorous ad for Mercedes but Volvo have stuck to the idea of what they are known and baught for, their safety and honesty. I think both images work just as well to sell their corporate image and would appeal to the right buyers.

Monday 22 March 2010

Lecture notes- Post Moderninity & the Mass Media



Lecture notes- Graphic Deisgn A Medium for the Masses



The Idea of the modern world- summary

The modern condition of the early twentieth century was felt across Europe, with more artists wanting to break away from the traditional art of the 19th century producing a new art movement, expression.

The modern condition could not be experienced without a modern art to read the experience against, the sense that experience cannot be grasped until it is represented.

The three most dynamic moments of the modern are that modernization is the process of scientific and technological advances, the growing impact of machines. Modernity is the social and cultural condition of these objective changes: a form of experience, an awareness of change and the effect on the people and Modernism is cultures response to these adaptations.

There were two opposing responses to the modern condition, negative views towards the growth of population and the increasing control of human life by the machine, the loss of freedom. But also positivity for modernism allowing people to experience the new and live an exciting life.

Cubism, Expressionism and Futurism were of few aspects of the European Avant-Garde...



Harrison, G. and Wood, P (ess) (1997)
Art in Theory: 1900-1990,
Oxford, Blackwell PP125-9

Modernist Design Examples






(Clock)

Friday 19 March 2010

Lecture notes- The document








Lecture notes- The Mass Media and Society





Lecture notes- Advertising, publicity and the media



Seminar notes on Modernism




Lecture notes- Modernity / Modernism & the mass media

Image Analysis notes

Harvard Referencing


Essay Question 2: Choosing a particular period from 1800- present, in which ways have Art or Design responded to the changing social or cultural forces of that period?  

Hebdige. D, (1997)
Subculture: The Meaning of Style,
Routledge, London
(306.2)
Muggleton. D Weinzierl. R (2003)
The Post-Subcultures Reader,
Berg Oxford
(306.2)
Daly & Wice, (1995)
Alt.Culture,
Butler & Tanner Ltd, Somerset
(306.2)


Aldridge. A, (2008)
The man with the kaleidoscope eyes,
Thames and Hudson, London
(741.6 ALD)

Finkelstein, Joanne (2007)
The Art of Self-innovation: image and identity in popular visual culture,
I.B.Tauris, London
(704.9421)